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The Cure is one of the most influential bands in the 80s, known for their iconic goth rock sound and incredibly poetic lyrics. One of their most beloved songs is “Charlotte Sometimes,” which was released in 1981 as a single and later included in their album “Faith.” The song has a timeless quality to it and has resonated with fans for decades. In this article, we’ll explore the meaning behind “Charlotte Sometimes” and why it’s such a significant song in the Cure’s discography. “Charlotte Sometimes” has become one of the Cure’s most beloved songs and has influenced many artists in the decades since its release. Its dreamy, melancholic quality has served as a template for much of the shoegaze music that emerged in the 90s and beyond.
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They represent the rigid constraints that society puts on us, the limitations that prevent us from fully expressing ourselves. The idea of the dreamer waking up in an alternate reality is something that everyone can relate to, as we all experience moments of feeling like we don’t belong. The lyrics paint a vivid picture of someone going to bed and feeling overwhelmed by the sameness of everything around them.
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New songs such as “And Nothing Is Forever” fit neatly amid the older ones, sounding fresh yet familiar. “A Fragile Thing,” for instance, opened “Every time you kiss me, I could cry she said,” as Robert Smith a sentiment as you will find. “Another Happy Birthday,” which made its live world premiere on Tuesday, heard him singing, “There’s no one there to hold, I’m coming apart,” in a song that seemed to feature a heartbroken singer on a lost, possibly dead, lover’s birthday. In conclusion, “Charlotte Sometimes” by The Cure is a song that explores themes of dreams, identity, and longing.
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The line “Come to me scared princess, Charlotte sometimes” suggests that Charlotte is a vulnerable and sensitive individual, searching for her true self amid the chaos of life. The cover of the single is a distorted picture of Mary Poole,[3] Smith's then-girlfriend and later wife. The same picture was used again as the cover of the Cure's 1990 single "Pictures of You", but with the picture clear and undistorted. Terrence Oglesby, a basketball analyst for the Charlotte Hornets, shared an X post on Monday saying, "Hey @ATT I’ll pay a subscription to never see this 'what a pro wants' commercial again in my life." The Dan Patrick Show, which is streamed on Peacock and Fox Sports Radio, posted a clip on X of the former ESPN personality and his co-hosts talking about the commercial.
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Robert Smith was inspired by a book called “Charlotte Sometimes” by Penelope Farmer. When it was over, the frontman stuck around onstage for a few minutes, soaking up the crowd’s adoration — a renewable resource, it turns out, but not one he sees fit to squander. A song inspired by a children’s novel introduces a romantic side to the band’s gothic gloom and doom. The bridge of the song introduces the theme of different identities, as Charlotte dreams of opening her eyes to a different world.
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In the final verse, the lyrics allude to Charlotte’s longing for something or someone that is lost, as tears pour down her face. The mention of a girl who died many years before suggests that Charlotte carries the weight of past traumas and that her dreams serve as a refuge from her pain. The chorus further emphasizes the dreamlike nature of the song, as Charlotte Sometimes finds solace in her dreams where other people dance. The repetition of the line “Sometimes I’m dreaming” reinforces the idea that Charlotte often retreats into her own imagination to escape the harshness of reality.
Despite criticism online, the 30-second commercial continues to be aired and lodged into people's brains. One X user even suggested that the NBA playoffs ratings are down because of the ad. "And I'm thanking you for knowing exactly what a pro wants, what a pro needs, whatever makes me happy sets me free," the NBA players sing in unison.
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The light is too bright, and the walls are too white, creating a sense of unease and discomfort. The second encore delivered catharsis in the form of the poppiest, most joyful songs in the set. “Lullaby” opened the final run of nine songs, with “The Walk” soon following, both of those performed beautifully by Smith and the band.
The lyrics of “Charlotte Sometimes” delve into the realm of dreams, illusions, and the blurred lines between reality and fantasy. The song tells the story of Charlotte, a young girl who experiences strange and surreal occurrences, often feeling disconnected from the world around her. “Charlotte Sometimes” has influenced many artists in the decades since its release.
Glen Ballard talks about co-writing and producing Alanis Morissette's Jagged Little Pill album, and his work with Dave Matthews, Aerosmith and Annie Lennox. On advice by Fiction label owner Chris Parry, the music video for "Charlotte Sometimes" was filmed at Holloway Sanatorium. It features the character of Charlotte recreating scenes from the story in the presence of the band, while Smith mimes the words of the song. At least some X users might be enjoying the ad, with one posting the lyrics sung by Holmgren and Alexander. Replaying the commercial would also effectively cut costs because the company wouldn't have to create an entirely new ad or divide up its production budget, Wieser said.
Of course the idea of goth would continue to reverberate in an era when teenagers just have to pick up their phones to find a reason to be depressed. It’s worth noting that “Charlotte Sometimes” is something of an anomaly between Faith and Pornography, which were intentionally dark records. Maybe that’s why The Cure left them off those albums, or maybe they realized that “Charlotte Sometimes” had the best chance of succeeding as a single.
The song has also resonated with fans, many of whom see themselves in Charlotte’s struggles. One of the reasons that “Charlotte Sometimes” is such a beloved song is its eerie and moody atmosphere. The instrumentation is sparse and haunting, with a repetitive piano melody that sets the pace. The Cure’s second single about sleeping children, this time based on the children’s novel of the same name. Where “Primary” sounded agitated and urgent, “Charlotte Sometimes” is dreamy, romantic goth rock, a style the band would explore more deeply in later years. Robert Smith’s voice is treated with an echo, an effect that he seemed to be enamored of at the moment, judging by the other songs on this single.
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An ad for AT&T titled "What A Pro Wants" is being dubbed by some as "the worst commercial in history" after airing excessively, but maybe that is what the phone and internet provider wanted. That melancholy lifted with bigger, bolder rock numbers (“Burn,” “Primary,” and especially “Shake Dog Shake”) and slower, wistful plaints (“Charlotte Sometimes,” “From the Edge of the Deep Green Sea”). As the final notes of the anthemic “Boys Don’t Cry” echoed and the band departed, Smith lingered on stage for a couple more minutes, holding his hand to his heart as if it was about to jump out of his chest. Produced by Michael Hedges and The Cure; “Faith (recorded live)” produced by Chris Parry. The top chant artist in the Western world, Krishna Das talks about how these Hindu mantras compare to Christian worship songs.
Its poetic lyrics and mesmerizing melody create a captivating listening experience that resonates with listeners on an emotional level. Whether you relate to Charlotte’s experiences or simply appreciate the band’s unique sound, “Charlotte Sometimes” remains a timeless and thought-provoking song. In the first verse, the lyrics depict a sense of confusion and isolation, as all the faces and voices blur into one, emphasizing Charlotte’s struggle to find her place.
“Pictures Of You,” a slow and lovely tune from 1989’s “Disintegration” album followed, and the familiar pace of Cure in concert slipped into place. Gray skies and low clouds over the Bowl on Tuesday matched the rumble of thunder and clatter of rain piped over the PA as fans waited for the Cure to arrive almost seven years to the day since its last three-night run at the historic venue. “Charlotte Sometimes” and “Push” were surging rockers riding muscular rhythm-section grooves; “Shake Dog Shake” showed off Smith’s childhood fascination with Jimi Hendrix. At times you could think of the Cure as a sort of emo-psych jam band, stretching out the likes of “From the Edge of the Deep Green Sea” to find untapped reserves of luscious melancholy.
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